An essay by Father Cávana Wallace, the pastor of St. Margaret Parish, Oceanside, California
Although the parish church of Saint Margaret in Oceanside, California was purposefully built two years ago for the celebration of the Novus Ordo Mass, its neo-Romanesque architecture and sacred space lend itself with equal measure to the forma extraordinaria, celebrated regularly on Sunday evenings as a Missa Cantata. With a solid stone altar at the center of a cruciform church, the backdrop of a medieval-styled Holy Rood Screen and seventy foot ceilings, the two forms of the Roman Rite complement, rather than compete with each other in this unique building.
Although open to the influence of the ancient catholic rites, the parish of St. Margaret is not exclusively defined by them. Rather, it is (as it should be) the Mass as envisioned by the Fathers of the Second Vatican Council which is the norm around which regular parishioners naturally gravitate to. On Sundays, families typically attend this ordinary form of the liturgy so that after the “Mass is ended”, their children might go directly into Sunday School/CCD and adult candidates for the Sacraments to attend enquiry classes. With an open piazza, not unlike St. Peter’s in miniature, parish fellowship and community is easily recognized around simmering coffee pots and paper napkins for the best Sunday doughnuts in Oceanside, California.
Yet whether the morning modern Mass in English or the evening traditional Mass in Latin, one common thread which holds both forms of the Mass together in this parish is the attention given to the beauty of each Sunday liturgy. Both are celebrated with all the "tools of the sacred" and supervised by knowledgeable masters of ceremonies. Their role is to ensure that the priest¬-celebrant can focus without distraction on what he was ordained to do - to offer up the sacrifice of the Mass for himself and those entrusted to his care. Interestingly, after Mass, increasingly parishioners will comment ''that was a beautiful Mass", rather than "I enjoyed your sermon".
In a parish of 1200 families, many of them young and ethnically diverse, the "gravitational attraction" between ancient and modem rites is evident by families comfortable in each of these forms of these sacred liturgies. By attending both, many have come to learn and appreciate the unique language of the sacred in every celebration. Articulated in subtle tones by graceful movements, the subconscious is awakened by the gentle flickering of candles, the subtle fragrance of good incense and a silence which speaks a thousand words. And this is the norm for the ordinary form of the Roman Rite - celebrated prayerfully and with care in this parish church.
What is sometimes called the Mass of Paul VI, this liturgy can easily find a home in any architecture which embraces sacred art and form in continuity with the churches throughout the ages. In doing so human commentary is avoided and an inherent sense of the sacred is stirred up from within. What has helped St. Margaret parishioners immensely has been the choice of sacred music and song. Instead of popular rhythms and beats, the introits and antiphons proper to the Mass are sung in English to familiar classical tones. When Gregorian chant and polyphony fill the air at the preparation of the gifts and during the time of thanksgiving after Holy Communion, one senses a harmony in tune with the supernatural direction of a dynamic and ancient liturgy -onward and upward into eternity.
A sampling and insight into our choice of sacred music and song by her ordinary yet extraordinary choir has now been produced with the release of a CD. In these live recordings, the St. Margaret Singers (regular parishioners who have been taught this discipline of prayer) have captured the tones, melodies and prayers sung and celebrated during our regular Sunday liturgies. Of course, a music recording only captures one of the human senses and by listening to it in the comfort of one's home one might be excused for creative liturgical imagination. But you can not beat the real thing which, as first described by St. Pius X in the early 1900's, is full and active participation in the Holy Mass itself.
It is along these noble sentiments that every Mass of every form, in every rite of our Catholic tradition aspires. St. Margaret's is one parish of, no doubt, many that is grateful for the opportunity to celebrate the Mass of Paul VI in the light of the continuity of ages past. We have learnt much and we have prayed well. Especially grateful is the parish priest for his MCs, who help him “do the job” that he was ordained to do and to do it fittingly. We hope that the fruits of our labor will help us on our onward journey to that place where we might someday, with all the angels and saints in the eternal heavenly liturgy, see our God face to face through Christ our Lord. Amen
To order the St. Margaret Singers sacred music CD visit the parish website at www.oceanside4christ.com
Although the parish church of Saint Margaret in Oceanside, California was purposefully built two years ago for the celebration of the Novus Ordo Mass, its neo-Romanesque architecture and sacred space lend itself with equal measure to the forma extraordinaria, celebrated regularly on Sunday evenings as a Missa Cantata. With a solid stone altar at the center of a cruciform church, the backdrop of a medieval-styled Holy Rood Screen and seventy foot ceilings, the two forms of the Roman Rite complement, rather than compete with each other in this unique building.
Although open to the influence of the ancient catholic rites, the parish of St. Margaret is not exclusively defined by them. Rather, it is (as it should be) the Mass as envisioned by the Fathers of the Second Vatican Council which is the norm around which regular parishioners naturally gravitate to. On Sundays, families typically attend this ordinary form of the liturgy so that after the “Mass is ended”, their children might go directly into Sunday School/CCD and adult candidates for the Sacraments to attend enquiry classes. With an open piazza, not unlike St. Peter’s in miniature, parish fellowship and community is easily recognized around simmering coffee pots and paper napkins for the best Sunday doughnuts in Oceanside, California.
Yet whether the morning modern Mass in English or the evening traditional Mass in Latin, one common thread which holds both forms of the Mass together in this parish is the attention given to the beauty of each Sunday liturgy. Both are celebrated with all the "tools of the sacred" and supervised by knowledgeable masters of ceremonies. Their role is to ensure that the priest¬-celebrant can focus without distraction on what he was ordained to do - to offer up the sacrifice of the Mass for himself and those entrusted to his care. Interestingly, after Mass, increasingly parishioners will comment ''that was a beautiful Mass", rather than "I enjoyed your sermon".
In a parish of 1200 families, many of them young and ethnically diverse, the "gravitational attraction" between ancient and modem rites is evident by families comfortable in each of these forms of these sacred liturgies. By attending both, many have come to learn and appreciate the unique language of the sacred in every celebration. Articulated in subtle tones by graceful movements, the subconscious is awakened by the gentle flickering of candles, the subtle fragrance of good incense and a silence which speaks a thousand words. And this is the norm for the ordinary form of the Roman Rite - celebrated prayerfully and with care in this parish church.
What is sometimes called the Mass of Paul VI, this liturgy can easily find a home in any architecture which embraces sacred art and form in continuity with the churches throughout the ages. In doing so human commentary is avoided and an inherent sense of the sacred is stirred up from within. What has helped St. Margaret parishioners immensely has been the choice of sacred music and song. Instead of popular rhythms and beats, the introits and antiphons proper to the Mass are sung in English to familiar classical tones. When Gregorian chant and polyphony fill the air at the preparation of the gifts and during the time of thanksgiving after Holy Communion, one senses a harmony in tune with the supernatural direction of a dynamic and ancient liturgy -onward and upward into eternity.
A sampling and insight into our choice of sacred music and song by her ordinary yet extraordinary choir has now been produced with the release of a CD. In these live recordings, the St. Margaret Singers (regular parishioners who have been taught this discipline of prayer) have captured the tones, melodies and prayers sung and celebrated during our regular Sunday liturgies. Of course, a music recording only captures one of the human senses and by listening to it in the comfort of one's home one might be excused for creative liturgical imagination. But you can not beat the real thing which, as first described by St. Pius X in the early 1900's, is full and active participation in the Holy Mass itself.
It is along these noble sentiments that every Mass of every form, in every rite of our Catholic tradition aspires. St. Margaret's is one parish of, no doubt, many that is grateful for the opportunity to celebrate the Mass of Paul VI in the light of the continuity of ages past. We have learnt much and we have prayed well. Especially grateful is the parish priest for his MCs, who help him “do the job” that he was ordained to do and to do it fittingly. We hope that the fruits of our labor will help us on our onward journey to that place where we might someday, with all the angels and saints in the eternal heavenly liturgy, see our God face to face through Christ our Lord. Amen
To order the St. Margaret Singers sacred music CD visit the parish website at www.oceanside4christ.com
